Notable News and Press Mentions
The boston Globe - november 23, 2023 - BY jon marcus
If there’s a single artifact that symbolizes the spirit of this city’s revamped local history museum, the Centre des Mémoires Montréalaises, it’s a simple street sign.
“Rue Atateken,” reads the sign. That means “brotherhood” in the Mohawk language. And it hangs in the museum above the street’s former name: “Rue Amherst,” after Jeffery Amherst, the British general memorialized for his conquest of what became Canada — until it was disclosed that he had advocated giving blankets laced with smallpox to Indigenous people.
It’s an example of a new approach in history, art, and even science museums to revisit the ways they’ve long portrayed the world, correct the record where required, and include the many people previously left out.
SHRM - September 20, 2021 - By Arlene S. Hirsch
An Inside Look at Workplace Racial Affinity Groups
Racial affinity groups, or racial caucuses, provide separate spaces for people who share a racial identity to gather, share experiences and explore how racism may manifest in their organizations. Employers can use the recommendations that emerge from these groups to take corrective action, address racial inequities and advance the company's diversity, equity and inclusion (DE&I) goals.
NPR (Heard on Morning Edition) - April 17, 2015 - BY Hansi Lo Wang
Deaths Of Unarmed Black Men Revive 'Anti-Lynching Plays'
An obscure but riveting genre of theater is being revived in New York City.
They're called "anti-lynching plays." Most were written by black playwrights during the early 1900s to show how lynchings devastated African-American families.
Inspired by the recent deaths of unarmed black men by police, a theater company in Brooklyn, N.Y., is staging a series of new readings of these plays, including Georgia Douglas Johnson's Blue-Eyed Black Boy.
HYPERALLERGIC - FEBRUARY 25, 2016 - by Alexis Clements
Early Anti-Lynching Plays, Read in Light of Ferguson
Just two days before the Equal Justice Initiative (EJI) released its report “Lynching in America: Confronting the Legacy of Racial Terror,” I sat in the audience at JACK in Brooklyn for a reading of the play Aftermath, written in 1919 by playwright Mary P. Burrill. Directed by Courtney Harge of the Colloquy Collective, the reading marked the first in a series highlighting black-authored anti-lynching plays that is running at JACK through June as part of its Forward Ferguson series, focused on artistic work tied to racial justice movements past and present.